French by upbringing, Cuban and English by blood and American by birth, Saskia Wilson-Brown obtained her BA at UC Berkeley, and her MA (Fine Art) at Central Saint Martins College in London.
She started her career in music video art department – from PA to production designer – for people like Madonna, Marilyn Manson and Master P. She went on to join the board and eventually serve as festival co-director for Los Angeles’ seminal Silver Lake Film Festival, launching the festival’s visionary new media arm in 2005 (MP4Fest) in addition to curating many of its film, art and music events. In 2007 Saskia was hired at Al Gore’s Current TV to head the newly formed filmmaker outreach & development department. There, she and her team conceived of and spearheaded projects designed to gain new short format documentary content for the network from international filmmakers, while initiating content partnerships on a global scale. She also participated in the production of Emmy-nominated shows like ‘TV Free Burning Man‘.
She went on to work as an independent producer and a film distribution strategist, while producing events around new models in the arts, educational initiatives and screenings (including the Open Video Alliance Filmmaker Summit, several of Lance Weiler’s DIY Days events, and the TEDActive Innovation Lab with Sarah Shewey’s Pink Cloud). She also curated and produced programs such as the bienial art/film extravaganza ‘Ultra Fabulous Beyond Drag’ (2007, 2009), and ‘Cuban Revolutionary Film’ (for Casa Del Tunel in Tijuana, 2010). Further projects and pursuits included programming feature documentaries and serving as a shorts juror for Slamdance Film Festival; advising start-up events such as the Los Angeles Music Video Festival; serving as film juror, advisor and/or panelist for organizations ranging from Gen Art to IFP; and overseeing Transmedia and Distribution for films such as Stephen Gyllenhaal’s Grassroots. A committed advocate of open information and education in the arts, her writing has appeared in WorkBook Project, Filmmaker Magazine and Hi-Fructose Magazine, and she’s been invited to speak at a number of conferences and festivals (Sundance, DIY Days, Open Video Conference, Power to the Pixel, as an industry mentor at SxSW, amongst others). Her film work has been shown at TED Conference (2010) and at dOCUMENTA (2012), and her visual art work has been shown at institutions such as Dom Omladine in Belgrade and the Centro Cultural Recoleta in Buenos Aires.
In 2009 she conceived of and started a guerilla screening series called Cinema Speakeasy, which she oversaw with her colleagues Georgi Goldman and Kate Sullivan Green. One of the first of its kind, it served as an inspiration for a number of other micro-cinemas & curated screening series in California and beyond. In 2010, the series expanded to San Francisco, and in 2011 CS started a year-long residency in Palm Springs in partnership with the Ace Hotel.
In 2012, her interest in experimental spaces led her to form The Institute for Art and Olfaction, a 501(c)3 non-profit arts organization devoted to experimentation, access and cross-media projects with a focus on scent and perfumery. As head of the IAO, she has forged relationships with institutions including Pulitzer Foundation for the Arts, Getty Center, SxSW, Goethe Institut, Hammer Museum, Natural History Museum, Huntington Library, Wallace Collection, Otis College, Watts Gallery and many more. In 2013 – with the help of a team of advisors and friends – she created and launched The Art and Olfaction Awards, an international awards mechanism for independent, artisan and experimental perfumers.
Currently the Director of the IAO, Saskia nonetheless continues her deep involvement in media by consulting for IB5K and serving as director of operations for the New Zealand-based tech/film distribution company Assemble.me. She and her husband Micah Hahn also run a small but potent design firm called Allies.LA.