Ether: Aromatic Mythologies
At Craft Contemporary Museum
May 30, 2025 — September 7, 2025

Ether Exhibition Preview and Artist Meet and Greet
May 31, 2025, 6:00 – 8:00pm
RSVP: https://events.humanitix.com/ether-exhibition-preview?hxchl=hex-pfl

 

About Ether

Transcending geographical boundaries, mythology conveys universal truths and archetypal constructs. Smell, similarly, possesses a remarkable capacity to do away with immediate temporal constraints. Unsurprisingly, many cultures use smell as a conduit to different realms of human awareness, memory and consciousness. Smell, therefore, creates an ethereal connection that underscores the profound and often mysterious impact that sensory experiences can have on the human sense of selfhood. Expanding on this, Ether: Aromatic Mythologies examines the confluence of storytelling, identity, and scent by delving into ancient, modern, personal, or entirely invented mythologies. The thirteen olfactory artworks on show seek to explain our most fundamental understanding of ourselves, and how scent can impact systems of meaning in relation to the inexplicable, the historical, or the unknown.

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Founded as a museum in 1973, Craft Contemporary reveals the potential of craft to educate, captivate, provoke, and empower. With a focus on contemporary art made from craft media and processes, Craft Contemporary presents dynamic exhibitions by established and emerging artists and designers who are often underrepresented in larger art institutions. Craft Contemporary complements these exhibitions with a creative line-up of educational programs, including hands-on workshops led by professional artists. Craft Contemporary cultivates an environment for people in Los Angeles to deepen their relationship to art, creativity, and one another.

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Exhibiting Artists

 

Alisa Banks (USA)

Alisa Banks (b. 1961, Lawton OK) is a visual artist living in Dallas, Texas who investigates connections between contemporary culture, her Louisiana Creole heritage, and the African diaspora. Alisa’s interests include exploring the performative potential of the book and investigating links to the material culture of her ancestors. Her artists’ books, writings, and textile collages, which often reference traditional craft, are housed in several private and public collections, including the Smithsonian Institution, the US Library of Congress, The Schomburg Center, and The British Library. Alisa holds a B.S. degree in Medical Laboratory Science from Oklahoma State University and a M.F.A. degree in Visual Art from Texas Woman’s University.

IG: @abanksart
Web: www.alisabanks.com

 


Andrés Cortes (USA)

Andrés Cortes (b. 1985, Los Angeles) is a first-generation Mexican/California Native. He earned a BFA in Drawing and Painting, with a minor in Comparative World Literature from California State University, Long Beach. He has exhibited his works extensively in California. Solo exhibitions include Maple St. Construct, Omaha, NE; The Brewery Artists Lofts, Los Angeles, CA, and 1700Naud, Los Angeles, CA. Recent group shows in California include Guerrero Gallery, DDLA, LA Mas NELA Comparte, ALTAR LA, Spy Projects; Brand Library Museum; Permanent Storage Projects; Durden & Ray; VANS Studio 808; Odd Ark LA; Werkartz; ARTsea; Bombay Beach Biennale; Other Places Art Fair; Spring Break Art Show LA; Also Gallery LA; XIXstudios; Tiger Strikes Asteroid; Global Giving; The Dojo; Braj Gallery; and Huntington Library. Other group shows include Collar Works, Troy, NY and Sou’Wester, Seaview, WA. He is the founder of ARVIA Projects, an artist-run space and community based space for alternative forms of building and living through the creative lens, started in 2016. He currently resides and works in Los Angeles, CA.

IG: @arviaprojects

 


Cristian Marianciuc (Romania)

Cristian Marianciuc (b. 1989, Romania) is a paper artist. His work revolves around the traditional origami crane. Since 2014 he has been perfecting his very personal style which sees the humble yet beautifully symbolic traditional model of the crane come alive with the help of intricately cut wings, flowers, folkloric motifs, and other decorative paper elements. In 2020 Cristian turned his attention to the world of perfume in his constant search for sources of inspiration. The resulting project, “Olfactory Peregrinations”, aims to give physical shapes to fragrances: they are assigned colours, a “body”, stories and music to name just a few of the elements that are part of Cristian’s artistic olfactory universe. Each of these paper sculptures is meant to serve as a travel companion on the multilayered and multi-sensory journey proposed by the artist.

IG: icarus.mid.air

 


Joe Merrell (USA)

Los Angeles-based artist Joe Merrell studied philosophy, literature, and history and The Evergreen State College, in Olympia, WA. He went on to earn an MFA in film at CalArts in Valencia, California. Based in Los Angeles, he makes video, installation, print, sculpture and scent for exhibition in galleries, festivals and museums. In addition, he has a line of fine fragrances sold under the brand “The Eyes Are Always There” that he sells online and in several perfume boutiques.

IG: @eyesarealwaysthere
Website: joemerrell.com / eyesarealwaysthere.com

 

 


Karola Braga (Brasil)  

Karola Braga is an artist and olfactory researcher. She holds a Master’s degree in Visual Poetics from ECA/USP and a Bachelor’s degree in Fine Arts from FAAP. By intertwining culture, chemistry, anthropology, and sensory science, her research focuses on the concepts of presence/absence and memory/forgetting. Since 2015, she has participated in national and international exhibitions. Recently, she participated in Desert X AlUla, was nominated for the Pipa Prize 2024, selected for the 27th Project Season at Paço das Artes, and exhibited at the 13th Mercosur Biennial. She was a finalist in the Sadakichi category for Experimental Work with Scents at the Art and Olfaction Awards. She has participated in residencies such as the Cité Internationale des Arts (Paris) and Kooshk (Tehran), where she won the Kooshk Artist Residency Award (KARA 2018).

IG: @karolabraga
Web: www.karolabraga.com

 


M Dougherty (USA)

M Dougherty  (b. Los Angeles, CA) is a nonbinary olfactory artist and researcher known for their innovative use of scent to explore the intersection of technology, humanity, and the natural world. Through installations, performances, and creative technologies, M uses scientific research and personal introspection to create experiences that inform and immerse audiences in new olfactory worlds.

IG: mx.mdougherty
Web: m-dougherty.com

 

 

 


Maki Ueda (Japan)  

Olfactory artist Maki Ueda (b. 1974, Tokyo) focuses the spectator’s attention on her fragrant gestures by minimizing the influence of the other senses. Her current research explores olfaction in relation to space and movement resulting in strong, often universal, approaches. She focuses on the pure experience of a smell instead of a more contextual or narrative approach.The results are often intuitive olfactory installations.  She teaches regularly at art academies over the world. The Art and Olfaction Award Winner 2022 (Sadakichi Award for Experimental Use of Smell).  She majored in media art: B.A. in Environmental Information Studies and M.A. in Media and Governance, Keio University, Japan.

IG: @makiueda
Web: ueda.nl

 

 


Peter de Cupere by Frederik BuyckxPeter de Cupere (Belgium)  

Peter de Cupere  is an olfactory artist who lives and works in Antwerp. For 25 years olfactory artist Peter de Cupere has been a prolific and proactive proponent of olfactory art. He realizes artworks related to the olfactory perception of social, cultural and environmental contexts. His works were presented in more than two hundred exhibitions worldwide. He gave lectures from Berlin to New York and collaborated with various institutions and companies. Dr. Peter de Cupere is a lecturer and researcher at the PXL-MAD School of Arts in Hasselt, BE.  In the Open Senses Lab he teaches students to use smell, taste and tactility in their artistic practice. In 2019, he completed his PhD ‘When scent makes seeing, when seeing makes scents’, artistic research into the use of smell as a context and/or concept of the work of art. Since 2020, he has been researching the use of fragrances in combination with 3D printing. He realized in collaboration with seven blind and visual impaired people the Olfabet, an olfactory alphabet that allows you to read words and texts just by smelling. The Olfabet was awarded with the public award of the International NTAA New Technology Art Award (2022) and nominated as finalist of the Art and Olfaction Awards in Los Angeles (2022). Peter de Cupere received the Art and Olfaction Award for his lifetime contribution to promote the use of scent in art (London, April 2018). He also received the Sadakichi Art and Olfaction Award (L.A., May 2023) for his experimental work with scent.  He’s a member of the Odeuropa Advisory Board, a European research project which bundles expertise in sensory mining and olfactory heritage.
Photo credit: Frederik Buyckx

IG: @olfactoryart
Web: peterdecupere.art

 


Photo by Myles Pettengill, 2018Regina Mamou (USA)

Regina Mamou is a research-based installation artist who focuses on the desire to understand the diversity of ideological systems. This interest stems from her familial background, where she grew up aware of the implications of political ideology intertwined with religion. Regina’s mother, a Polish-American, and Regina’s father, a Christian Chaldean from Iraq, raised her in a multiethnic environment. As a former priest, her father left the clergy and Iraq for fear of persecution. Her work is an amalgamation of fact and fiction, placing historical information together with falsehood to explore the power of belief systems, especially regarding communism and totalitarianism.  Regina has been the first artist-in-residence at The Wende Museum of the Cold War in Los Angeles since 2020. In her residency, she investigates the relationship between the Middle East and the Soviet Union – specifically, Iraqi-Soviet bilateral relations. She is developing an immersive, experiential installation that views the nuances of this aspect of Cold War history. In addition to her project, Regina is partnering with The Wende’s Collections department to identify important artwork and archival materials for transnational perspectives. She holds an MFA from the School of the Art Institute of Chicago and a BFA from the Rhode Island School of Design. She also received a Fulbright grant to create a project in Amman, Jordan. In addition to her solo practice, Regina collaborates intermittently with Lara Salmon as Research for the Bermuda Triangle.
Photo credit: Myles Pettengill

IG: reginamamou
Web: reginamamou.com

 

 


Russell Harris (Germany)  

Russell James Redwood Harris is a Berlin-based, self-taught multidisciplinary artist working with textiles, leather, sculptural objects, and installation. He was born on Romney Marsh—an area known for its sparsely populated wetlands, woodlands, and coastal marshes—and this environment, along with a family culture of making and mending, left a lasting impression on his relationship to materials, process, and care. Harris’s practice explores themes of transformation, ritual, and myth. He often integrates sensory elements to evoke complex personal, visceral, and universal narratives. Since 2015, he has worked as a production assistant to Mark Krayenhoff van de Leur and his husband, the artist A.A. Bronson—a long-standing collaboration that continues to inform his approach to craft, collaboration, and queer lineage.

IG: @_rjrh_

 

 


Sarana Mehra (USA)

Sarana Mehra is a multidisciplinary artist whose work examines the relation between the body, body-politic and the cycle of disintegration and evolution in human-made systems like art, language and technology. Having lived in the liminal space between life and death for much of her life Sarana explores the cycle of collapse, renewal and possible blank spaces left between human experience and online interaction. Drawing on Eastern and Western mythologies and the artifacts of past civilizations gathering dust in our museums, Sarana uses her practice to examine a “future relic”. Each piece, like the remnants of our ancestors, leaves clues and symbols but ultimately obfuscates their contemporary use and ritual. Her work posits that despite our technological advancements we remain, like our primordial predecessors who left their handprints on the cave wall, desperate to be remembered yet unable to thwart decay. Sarana Mehra​ is a bi-racial British-American artist living and working in Los Angeles. Sarana gained her BFA from the University of Oxford and her MFA from Central Saint Martins College of Art & Design (London). Sarana Mehra is a co-founder and media director of Artists 4 Democracy, a grassroots LA-based artist activist group, a member of the Binder of Womxn artist collective and an advocate for healthcare justice.

IG:  @sarana_mehra
Web: saranamehra.com

 

 


Se Young Au (USA)

Se Young Au is a multi-disciplinary artist and writer who received their BA in photography from Columbia College Chicago. Their work is at the intersection of digital collage, personal archive, installation and olfaction. They have worked within the context of both the fine art and commercial world. Au has exhibited at Henry Art Gallery (Seattle) in collaboration with painter Gabriella Sanchez, El Segundo Museum of Art, AHL Foundation in New York City, and the Institute of Art and Olfaction in Los Angeles.  Select clients include: Museum of Natural History Los Angeles, Fly By Jing, and Broccoli Magazine. In 2023, they co-founded Errare, a sensory spatial design studio with their creative partner, Kaitlyn Darby. Additionally, Au writes a quarterly dispatch, Transmissions, which explores olfaction as a tool for transmuting grief.

IG: @seyoungstayoung
Web: senses-studio.com

 

 


Sean Raspet (USA)

Sean Raspet is an artist who has been working with scent and molecular structure for over 10 years. His work has been exhibited at the Okayama Art Summit (directed by Pierre Huyghe), Tai Kwun Contemporary Art Centre in Hong Kong, Museum of Contemporary Art, Chicago, de Young Museum, San Francisco, M Woods Museum, Bejing, the 9th Berlin Biennale, Bridget Donahue, New York, Société, Berlin, Various Small Fires, Los Angeles, Empty Gallery, Hong Kong, Sculpture Center, New York, and The Kitchen, New York, among others.

IG: @seanraspet
Web: seanraspet.org