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April, 2019: Rhetorical Trickery

When we describe something in English, the ordering of our adjectives is very important. It goes something like this: Opinion, size, age, shape, color, origin, material, purpose and  – finally – noun. Thus “comely contemporary Cuban counterfeit cologne” sounds more appealing, say, than “pirated Peruvian present-day pretty perfume”. Alliteration, of course, adds the spice.


Curiously, when repeating a word that is almost the same but with different vowels, there is also a specific order. An I always goes before A, an A always goes before an O, and an O is always last. Thus: Splish-splash, hip-hop, pitter-patter and pish-posh. Mess with that vowel order and say crazy things like dong-ding, tat-for-tit, or flop-flip, and you’re in the land of hyperbaton.

Needless to say, no one wants to be in that disconcerting place. Stick with the I-A-O, and all will be top-tip.

With no trickery at all,
– Your nice medium-sized human-shaped multi-national flesh-toned friends at the IAO

+ All this and more in our April newsletter

 

April, 2019: Rhetorical Trickery

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saskia April 2, 2019April 2, 2019 in the field
  • ← March, 2019: A Tragic End
  • An Ancient Greek Story About Smell and Animal Sacrifice →

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Collaborations

  • 24 Hours, 15 Scents – Pulitzer Foundation
  • A Trip to Japan – Hammer Museum
  • Accident – Austin Young
  • Alabastron Journal – with Nuri McBride
  • Alameda Heart Notes – SALT
  • Aleesa Cohene
  • Andrew Berardini
  • Art Olfaction Amsterdam – Mediamatic
  • Artopia – LA Weekly
  • Blended Worlds: Experiments in Interplanetary Imagination – JPL | NASA | Getty PST
  • Cactus Store
  • Camera (in)Odorata
  • Color Factory
  • Creating Connections: Chile | United States
  • Cubic
  • Cult
  • Dear Enemy – Christy Gast
  • Dig – Bettina Hubby
  • Dopamine Books
  • Droplet – Marcos Lutyens
  • Electronic Ether – Marcos Lutyens
  • Every Woman Biennial
  • The Eyes Are Always There – Joe Merrell
  • Fallen Fruit
  • Fireworks NFT
  • The Getty Center – College Night
  • The Getty Villa – Ancient Scents
  • Huntington Library Visitor Center
  • I Smell LA (ICA LA x IAO)
  • IAO Olfactory Storylab – Craft Contemporary
  • In the Wake Of — Chris Fritton and Keri Miki-Lani Schroeder
  • Institute for New Feeling
  • Love Potion No. 9 – Bettina Hubby
  • Little Trees Mural – Standard Hotel
  • Making the Body Think – Miguel Matos
  • Manifest Destiny – Zoe Crosher
  • Mateo Tannatt + Public Fiction
  • Miles Regis
  • Molecules – 5th Floor Gallery
  • Mother of All Growth – Caos Moté, Nautilus Magazine
  • now past later – Maxwell Williams
  • Nose Music – dublab, bighouse
  • Odophonics – Brian Goeltzenleuchter
  • Olfactory Art Symposium – Smell It!
  • Omni – Sage Lewis
  • Pan-American Scent Summit
  • The Perfume Garden – GrowGood
  • Perfume Wiki-Thon
  • Phantosmia – GHOULA
  • Post Your Truth
  • Qatar America Institute for Culture
  • Sarah Baker Perfumes
  • Scent and Society: MENA
  • Scent Bomb Happy Pit
  • Scent Robots – Machine Project
  • Scents and Sensibility
  • Scents of London
  • Scent of Mystery – Tammy Burnstock
  • Scented Screening: Perfume, Story of a Murderer
  • Scentless Apprentice Radio – Maxwell Williams
  • Sensing: – ArtBites
  • Sensory Studio / SBMA
  • Sex Tape – Bohemian Society
  • Sillage – Brian Goeltzenleuchter
  • Slink’s Pink Christmas
  • Slow Smoke Slow Soap – Erik Benjamins
  • Snowblink + Inga
  • Triforium Project
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  • Van Eyck Reloaded – GLIMPS Bioworks
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